国际在线教学季 Advanced Lecture Series丨建筑理论与历史预告
2020国际在线教学季
前沿学术讲座系列
建筑理论与历史
Architectural Theory and History
系列主题 Title
建筑的城市性
ARCHITECTURE’S URBANITY
时间：演讲当日20:30-22:30Time: 20:30-22:30 (Beijing Time) on each lecture day
平台：ZOOM（演讲前一天发布演讲链接）
Platform: ZOOM (URL to be issued the previous day)
对象：东南大学师生
Audience: SEU students and faculty
日程
1. 整体-部分：论城市建筑的参与性与自足性
07/06 （周一）戴维·莱瑟巴罗
Whole Parts: Engagement and Autonomy in Urban Architecture
07/06 (M)David Leatherbarrow
2. 对街道、土地与天空的重新组织：斯科卡尼契楼（托德·威廉与比利·钱，费城）
07/08 （周三）戴维·莱瑟巴罗
Reorganizing Streets, Soil, and Sky: Skirkanich Hall by Williams Tsien, Philadelphia
07/08 (W)David Leatherbarrow
3. 分层的都市地平线：霍托盖特群楼（斯文·马克利斯，斯特哥尔摩）
07/10 （周五）戴维·莱瑟巴罗
Stratified Urban Horizons: Hortoget by Sven Markelius, Stockholm
07/10 (F)David Leatherbarrow
4. 建筑与建筑艺术, 一个现代性问题：奥托·瓦格纳与维也纳地铁站项目
07/13 （周一）唐考·潘宁
Architecture and Baukunst, A Question of Modernity: Otto Wagner and the Vienna Metro Project
07/13 (M)Tonkao Panin
5. 都市地形学与工人的城市：胡安·欧高曼的墨西哥劳工联合会大楼
07/15（周三）胡安•曼努埃尔·埃雷迪亚
Urban Topography and the Worker's City: Juan O'Gorman's Labor Union Architecture for Mexico
07/15 (W)Juan Manual Heredia
6. 公共领域的共享：文化综合体（多夫·卡米、Z·雷切、Y·雷切、A·卡拉万，特拉维夫）
07/17（周五）达芙娜·艾迪·哈夫
Sharing the Public Domain: Culture Complex by Dov Karmi, Z. Rechter, Y. Rechter, and A. Karavan, Tel Aviv
07/17 (F)Daphna Edie Half
7. 关于建筑、人造物与城市：斯维勒·费恩的挪威馆与对话的结构
07/20 （周一）斯蒂芬·安德森
Of Architecture, Artifact, and the City: Sverre Fehn's Norwegian Pavilion and the Structure of Dialogue
07/20 (M)Stephen Anderson
8. 关于树林与城市: 勒·柯布西耶的24NC工作室/公寓
07/22 （周三）艾丝拉·萨赫欣·布拉特
Of the Woods and the City: Le Corbusier's Studio/Apartment 24 NC
07/22 (W)Esra Sahin Burat
9. 城市机构的地形：九德教堂（承孝相，首尔）
07/24 （周五）金贝克
The Terrain of Urban Institutions: Seung H-Sang's Gudeok Presbyterian Church, Seoul
07/24 (F)Jin Baek
课程描述
本课程意在发现和描述建筑当中暗含的城市性。我们会提出诸多关于城市地形学方面的问题，其中最重要的便是：一幢（组）建筑或许最初显得脱离场所或不够协调，但它们后来是如何获得一种建设性力量，去推动却又并非控制着周边地区的良性变迁？位于费城市中心由乔治·豪与威廉·莱丝卡兹设计的PSFS大楼，虽然并非刻意为之，却为费城市中心的改变作出了示范。其他诸多重要的现代建筑也做出了类似贡献：巴黎的救世军大楼，伦敦的《经济学家》总部大楼，东京的代官山集合住宅。
我们提出的这一设计主题，在尺度上要大于单体建筑，但又小于城市设计或城市规划。如今，世界各地的城市都经受着急促且不审慎的城市化进程，其带来的问题也有目共睹。单体建筑与小型集合体虽不是病因，也不可能是解药，但它们却的确在城市变迁中扮演了关键角色——当然，其带来的转变既可能是建设性的也可能是破坏性的。今天，我们需要（再次）正视建筑在城市中的角色，以期建设有别于当下的空间模式，并为更加人性与公正、更少破坏与浪费、更加美好的生活与文化带来机遇。
尽管是当下的现状引发了本次研究，但将历史案例（至少是20世纪初以来）纳入考量仍是明智之举。此项研究也会考察分布于不同地域的建筑和城市，因为不同的地区可能面临类似的问题，而这种异同，恰正有助于更好地理解面向未来时的现实性可能。
Course Description
The purpose of this course is to discover and describe architecture’s implicit urbanity. We will ask a number of questions about the topography of cities, the most important of which is the following: how can single projects have productive afterlives, prompting but not controlling the transformation of locations in which they initially seemed out-of-place or discordant? Without intending to do so, the PSFS building by Howe and Lescaze, for example, provided a model for the transformation of center city Philadelphia. The same can be other important modern buildings: the Salvation Army Building in Paris, the Economist Building in London, and Hillside Terrace in Tokyo.
The scope of this design topic is greater than the design of a single building, but smaller than urban design or city planning. Cities throughout the world are suffering fast-paced and ill-conceived urbanization. While single buildings or small ensembles are not the cause, and will not be the remedy, they do play a key part in urban transformation—productive or destructive as those changes might be. Today we need to see (again) the role that architecture can play in constructing alternative spatial patterns and opportunities for a life and culture that is more humane and just, less destructive and wasteful, and more beautiful.
Though this study is prompted by current conditions, it will be wise to consider historical cases, at least those from the early decades of the 20th century until the present. Such a study should also address architecture and cities throughout the world, for locations one might think of as distinct suffer similar problems and might mutually contribute to a better understanding of real possibilities.
主要议题
作为“整体-部分”的建筑：建筑就其自身而言是整体的，却又是更广阔环境的一个部分
建筑暗含的城市性：建筑的秩序可以映现典型的城市环境
迷失方向与重新定向：空间结构受到的扰动，恰恰可能引发了对空间结构的发现
作为第二自然的城市：反对或克服把“自然-文化”二元对立的认知观念
Primary Themes
Buildings as Whole Parts: buildings are whole in themselves, but part of a wider contextImplicit Urbanity in Architecture: typical urban conditions are assumed in architectural orderDisorientation and Reorientation: disturbances to spatial structure prompt its discoveryRescaling Locations: increasing dimensions pose primary problems for urban senseCity as Second Nature: working against or through the nature-culture opposition
主持人 Chair
戴维·莱瑟巴罗
Prof. David Leatherbarrow
莱塞巴罗教授是世界著名的建筑历史与理论家，他的研究强调历史与理论对设计的贡献，尤其是在现代时期。在历史、理论、设计领域，他的学术声誉源自他在建筑设计、技术、园林与景观的观念与历史发展方面做出的研究。他的所有学术工作致力于探讨建筑学的两个基本问题：地形（景观或城市）与建造。迄今他共计出版了9本学术著作。近年出版的有：《三种文化生态学》（2018）、《二十世纪建筑》（2017）、《面向另一种可能的建筑》（2009）、《地形学故事：景观与建筑研究》（2004），以及与莫森·莫斯塔法维合著的《表面建筑》（2002）（该书获得国际建筑评论家大会的布鲁诺·赛维奖）。早期的著作包括：《不寻常的土地：建筑、技术和地形》、《建筑发明之根：场地、围合和材料》，以及《论风化：时间中的建筑生命》（本书荣获1995年美国建筑师协会颁发的国际图书奖）。这些著作已译成多种语言，其中两本已译作中文，另外两本的中文版也即将出版。在学术研究以外，莱瑟巴罗教授还是国际知名的教育家，曾获多个教育奖项，最近的奖项包括全美建筑教育最高奖“2020年度黄玉奖章”。
He is an expert in the history and theory of architecture, with specific emphasis on their contribution to architectural design, especially in the modern period. Within history, theory, and design, he is known internationally for his contributions to ideas and historical developments of architectural design and technology, gardens and landscapes. All of his work in scholarship examines two essential problems or topics in architectural design: the architectural site (landscape or urban) and architectural construction. In his scholarly work he has published nine books, most recently Three Cultural Ecologies (2018), Twentieth-Century Architecture (2017), Architecture Oriented Otherwise (2009), Topographical Stories: Studies in Landscape and Architecture (2004), and Surface Architecture (2002), co-authored with M. Mostafavi, that won the Bruno Zevi Prize from the International Congress of Architecture Critics. Earlier books include Uncommon Ground: Architecture, Technology and Topography, The Roots of Architectural Invention: Site, Enclosure and Materials, and On Weathering: The Life of Buildings in Time, which won the 1995 International Book Award from the AIA. Translations of these books have appeared in many languages, two in Chinese, another two forthcoming. In addition to his scholarship, Leatherbarrow is highly respected internationally as an educator, having won numerous awards for his teaching, the most recent of which is the AIA/ACSA Topaz Medallion for Architectural Education.
协调人 Coordinator
史永高
Prof. Yonggao Shi
教授，他的研究聚焦建筑学基本问题，尤其是建筑设计中的材料问题，以及地形、空间等相关延伸议题，考察它们在近现代建筑理论中的迁移与表现，以及在中国现当代建筑与城市实践中的重塑可能。著有《材料呈现：19和20世纪西方建筑中材料的建造-空间双重性研究》（2008，2017），合著《建筑设计基础》（2015）。
Professor at School of Architecture, Southeast University, China. His research focuses on the basic issues of architectural discipline, especially the problem of material in architectural design, and its extended and related field, namely topography and space. Exploring their transformation in the modern architectural theory, also the opportunity of their potentional reconstitution in the modern/contemporary architectural and urban practice in China. He is the author of The Presence of Material: Research on Material’s Constructional and Spatial Properties in the 19th and 20th Century Western Architecture (2008, 2017) and co-authored Architectural Design Basics (2015).
演讲嘉宾 Lecturers
唐考·潘宁
Prof. Tonkao Panin
泰国艺术大学建筑学院副教授，泰国曼谷。她的研究聚焦于十九世纪的建筑理论。迄今共出版了两本书：《建筑的空间性：空间和覆层概念之间的辩证法》和《城市追溯：19世纪以来的城市转型》。她也是一位执业建筑师，她的设计作品多次获得国际和国家级奖项。Associate Professor of Faculty of Architecture, Silpakorn University, Bangkok, Thailand. Her research focuses on the nineteenth century architectural theory. Two books published: Architectural Spatiality: The Dialectic between the Concepts of Raum and Bekleidung, and Tracing the City: The Transformation of City from the 19th Century. She is also a practicing architect. Her design projects and works have won several prizes at national and international level.
胡安•曼努埃尔·埃雷迪亚
Prof. Juan Manuel Heredia
波特兰州立大学建筑学院副教授。他的研究领域为建筑理论与历史，尤其是二十世纪的建筑理论与历史。他即将出版的书籍《墨西哥第一座现代建筑》（2020），着重介绍了几被人们遗忘的由瑞士建筑师汉斯·施密特（Hans Schmidt）和保罗·阿塔里亚（Paul Artaria）在墨西哥城设计的一座建筑。他还是劳特里奇（Routledge）《古典建筑手册》（2019）的合编者，也是《 胡安•索尔多•玛达勒诺 1916-1985》（2013）一书的合著者。
Associate Professor of architecture at Portland State University. His research focuses on architectural theory and history, especially those of the twentieth century. He is the author of the forthcoming book The First Modern Building in Mexico (2020), which focuses on an utterly forgotten building in Mexico City designed by Swiss architects Hans Schmidt and Paul Artaria. He is also the co-editor of The Routledge Handbook of the Reception of Classical Architecture (2019), and co-author of the book Juan Sordo Madaleno 1916-1985 (2013).
达芙娜·艾迪·哈夫
Postdoc research fellow. Daphna Edie Half
以色列理工学院技术所博士后研究员。她的研究兴趣包括类型学、公共空间、工艺和地形学，这些都是20世纪30年代以来建筑师在巴勒斯坦寻找现代建筑时所关注的学科问题。她最近发表了两篇论文：《一种新的物质性——赞美寻常之物，巴勒斯坦-以色列，1940-1966》和《情境化的类型学：英国托管巴勒斯坦时期现代乡土建筑中的辩证法》。在这一方向她完成了完成了博士论文《从俭朴到繁荣：1923-1977年以色列的建筑与城市》。目前，她的研究关注的是英国托管巴勒斯坦时期设计的公共空间，尤其关注港口城市海法的现代化。
Postdoc research fellow at the Technion, Israel Institute of Technology. Her research interests include typology, public space, craft, and topography as disciplinary issues that concerned architects from the 1930s in their search for a situated modern architecture in Palestine. She has recently published two papers, “A New Materiality – In Praise of the Ordinary. Palestine-Israel, 1940-1966”, and “Typology as Situatedness: The Architectural Dialectics of Modern Vernaculars in British Mandate Palestine.” Her completed dissertation on that theme is titled "From Frugality to Exuberance: Architecture and the City in Israel 1923-1977". Her current research is on public spaces designed in British Mandatory Palestine, with a specific focus on the modernization of the port city of Haifa.
斯蒂芬·安德森
Prof. Stephen Anderson
天普大学泰勒艺术学院教授，美国费城。他的研究聚焦于建筑的伦理和公民维度，城市、自然与建筑的交汇，尤其是关于自然与人性的概念及其与物质构造的关系，以及建筑戏剧性与日常生活实践和制度之间的张力与潜力。他目前的研究探索的是斯维勒·费恩（Sverre Fehn）建筑作品中的城市意识，并刚刚完成了关于该主题的博士论文《城市性与建筑计划：斯维勒·费恩》。
Professor at the Tyler School of Art at Temple University in Philadelphia. His research focuses on the ethical and civic dimensions of architecture; the intersection of cities, nature and architecture, especially regarding concepts of nature and human nature and their relation to material configurations; and the tensions and potentials that arise between architectural theatricality and the practices and institutions of everyday life. His current research explores concepts of urbanity in the architectural works of Sverre Fehn. His recently completed dissertation on that theme is titled "Urbanity and the Architectural Project: The Case of Sverre Fehn."
艾丝拉·萨赫欣·布拉特
Prof. Esra Şahin Burat
土耳其梅尔辛大学建筑系副教授兼系主任。她的研究聚焦于建筑理论和设计，尤其是建筑中的自然、材料、朝向、空间和再现理论，以及建筑与自然/文化环境之间的关系。她出版了一本书《开放：乌鲁博朗工作站的设计》，此外还有一些收录其他书中的章节，包括“论适度：古代美德及其在建筑理论中的接受”，以及“现代住宅中的远古力量：勒·科布西耶作品中远古主题的延续” 。她作为设计师参与了梅尔辛市政当局委托并实施的几个考古遗址的城市设计项目。
Associate Professor and Department Chair at Mersin University Department of Architecture, Turkey. Her research focuses on architectural theory and design, particularly theories of nature, materials, orientation, space, and representation in architecture, and the relationship between architecture and the natural/cultural environment. She has published one book, Unclosure: Design for a Workstation at Uluburun, and some book chapters which includes “On Moderation: The Ancient Virtue and its Reception in Architectural Theory,” and “Archaic Forces in the Modern House: Continuity of Ancient Themes in the Work of Le Corbusier.” She participated as designer in several urban design projects for archeological sites commissioned and realized by the local municipalities in Mersin.
金贝克
Prof. Jin Baek
首尔国立大学建筑与建筑工程系教授。他的研究兴趣包括基于现象学的设计理论、环境伦理学、城市更新的文化意义以及现代东亚建筑与西方建筑之间的跨文化问题。他是《虚无：安藤忠雄的基督教神圣空间》（2009）、《作为气候伦理的建筑》（2016）和《穿行于景观之中》（2013）的作者。他目前正在撰写的著作，将会从现象学的交流性和中介性角度来阐释当代的建筑和城市现象。
Professor at the Department of Architecture and Architectural Engineering, Seoul National University. His research interests include phenomenology-based design theory, environmental ethics, cultural significance of urban regeneration, and cross-cultural issues between modern East Asian architecture and Western architecture. He is the author of Nothingness: Tadao Ando’s Christian Sacred Space (2009), Architecture as the Ethics of Climate (2016) and Punggyeongryuheang (Drifting through Landscapes) (2013). He is currently writing a book that interprets architectural and urban phenomena of the contemporary period from the perspective of the communicative and mediational aspects of phenomenology.
